Film

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Lawrence of Arabia: An Epic That Justifies It’s Runtime with It’s Commentary

It’s been a couple of months since I got a chance to watch this in one sitting, and it still resonates on a near-daily basis. Probably my favorite “character study,” or at least showcase of a character who is never cast in the light of a Hollywood-ified hero — or even the Hollywood-ified anti-hero. The […]

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Scorsese Finding His Most Creative in “Killers of the Flower Moon”

This review may contain spoilers. “The most personal is the most creative.” This film school 101 Martin Scorsese quote (which got even more popular when director Bong Joon Ho shouted it out during an Oscar winning acceptance speech) was the biggest question I had for what Scorsese was cooking up with his 2023 period epic.

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“Everybody Wants Some!!” An Essay I Wrote To Send to Some Publications

An essay written for submission to film magazines: Richard Linklater and his filmography clearly express his curiosity about modern life, with many of his characters spiraling into lengthy soliloquies over societal standards, personal ambitions, and expectations, and the power memories have over decisions made. He looks at life through a magnifying glass, attempting to dissect any

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McDonaugh Leans on Humor and A Friendship Breakup to Explore Life’s Purpose in “The Banshees of Inisherin”

This review may contain spoilers. I feel as though McDonagh underwent a deep undertaking of introspection during the lockdown, using an internal debate and channeling it into two characters.  Colm sees value in a person based on what they provide to HIM. Mozart provides him with inspiration, and with his music centuries old and thousands

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